“Robin Hood” – Now Available for 2-Day Rental!

Robin Hood
Starring: Russell Crowe, Cate Blanchett, Max von Sydow, William Hurt, Mark Strong
Director: Ridley Scott
Universal Studios
Rated PG-13 for violence including intense sequences of warfare, and some sexual content

This isn’t your father’s Robin Hood. In fact, this is a Robin Hood that no one has ever seen before. Gone are the green tights, gone are the Merry Men. This Robin Hood tells the story of how Robin became an outlaw, loved by the people, and the scourge of King John and the Sheriff of Nottingham. The traditional story of Robin Hood stealing from the rich to give to poor, taking on the corrupt Sheriff of Nottingham, and rescuing Maid Marian is thrown to the wayside. This movie is the story of everything that happened before that.

Russell Crowe is Robin Longstride, a typical archer serving alongside King Richard the Lionheart (Danny Huston) in the Crusades. He and his friends want nothing more than to return home to England. When the King is assassinated, and the King’s knights are slain, Robin and his men see the opportunity to pose as the knights in order to secure passage back to England. They deliver news of the King’s death, and Prince John (Oscar Isaac) is named the successor. However, Prince John’s best friend, Godfrey (Mark Strong), is behind a plot to overthrow the king. Godfrey also recognizes Robin as an imposter, as Godfrey was responsible for the deaths of the King’s knights.

Robin and his men travel to Nottingham to fulfill the dying wish of one of the King’s knights, Robin Loxley (Douglas Hodge), to return his sword to his father, Walter (Max von Sydow). Robin meets Marian Loxley (Cate Blanchett), Robin Loxley’s wife, who is distrustful of Robin Longstride’s intentions. However, Walter believes Robin Longstride to be a good man, and convinces him to pose as his dead son, in order to keep his estate intact. He quickly becomes a man-of-the-people, gaining Marian’s favor, bringing hope to the poverty-stricken estate, fighting against a corrupt Church and King, and uniting the English to fight against traitors.

Director Ridley Scott delivers a true epic here, as is his usual modus operandi. The scale of everything brings a monumental action-adventure film that is solidly executed on all levels. The A-List cast headlined by Russell Crowe and Cate Blanchett deliver amazing performances. Their interpretations of their characters deliver an all-new depth. Crowe’s Robin Hood isn’t smooth and dashing—he’s a rogue and deserter, initially in it for himself. Blanchett’s Marian isn’t the damsel in distress—she’s strong-willed and can be a force to be reckoned. The scenery and set design seem almost too good to be true, completely taking the audience back to medieval England. In today’s modern times, it is truly amazing to see places in this world that are available to film movies like this.

The most interesting concept in this movie is the portrayal of The Sheriff of Nottingham. The Sheriff of Nottingham, who has long been depicted as Robin’s main adversary, really takes a backseat in this story. He’s rarely in the film, and when he is, he’s hardly depicted as the villain he usually is. He’s more ineffectual than anything else, and people hardly cower in his presence. However, the film does progress his character nicely, and sets him up in the end to become the villain we all know.

On that note, this film screams sequel! Now that Robin Hood has been set up, it would be great to see director Ridley Scott’s take on the traditional Robin Hood story. The world he’s established would be a pleasure to revisit. Robin Hood is the role Russell Crowe was born to play.

Robin Hood is now available on VUDU in both the original Theatrical version, and the Unrated Director’s Cut. As an added bonus, both versions are available for 2-Day rental. As well, when you stop by your local Wal-mart and purchase a specially marked version of Robin Hood on DVD, you get two free VUDU rentals.


The original vision for this movie focused on the Sheriff of Nottingham being the hero, painting Robin Hood as an anarchist and terrorist. Director Ridley Scott and star Russell Crowe were immediately drawn to the idea of making a Robin Hood movie, but disliked the script. The movie went through several rewrites and several writers before the story evolved into the idea of telling Robin Hood’s origins.

Cat-and-Mouse with Eastwood and Malkovich

In the Line of Fire
Starring: Clint Eastwood, John Malkovich, Rene Russo, Dylan McDermott
Director: Wolfgang Petersen
Sony Pictures
Rated R for violence and language

1993’s In the Line of Fire features a concept that is rarely seen in Hollywood nowadays—an aging action star who actually deals with being old. Clint Eastwood’s Frank Horrigan is out-of-shape, past his prime, and overdue for retirement. Recent Hollywood films would have us believe that aging action stars can do anything without effort, as long as they throw in the random quip of “being too old for this.”

Frank Horrigan is the only active Secret Service Agent who was around when JFK was assassinated. Frank also blames himself for being unable to save JFK on that fateful day. With his new partner, Al (Dylan McDermott), Frank investigates counterfeiters and assesses threats to the President. While investigating a new threat, Frank discovers that a potential assassin isn’t just targeting the President, but Frank as well. Frank has to convince his superiors that the threat is real, and he must do everything he can to prevent history from repeating itself.

Where most action films with aging stars focus on high-concept action sequences, In the Line of Fire focuses on the mystery and suspense involved in the cat-and-mouse game between Frank and Mitch. There are a few action sequences, and when they play out, they portray realistic concepts of how an older action star would perform: Frank gets out of breath, he can’t keep up with the younger Mitch, and he can’t take on dangerous stunts without suffering the consequences. This humanistic performance lends to the film’s credibility.

As well, the focus on the cat-and-mouse game allows events to unfold as a battle of wits between Frank and Mitch. They must rely on their mental abilities, rather than their physical prowess (or lack thereof), to foil the other. Blows are meted out as Frank outsmarts Mitch, and vice versa, rather than through physical altercation. It adds to the tension to see them get into each other’s heads. The movie wouldn’t be the same if it was two guys beating each other up. The audience is often left to wonder who is the cat and who is the mouse.

Clint Eastwood is in top form as Frank Horrigan. Having been the action star all his life as a cowboy or a cop, he plays his character perfectly as a man on the decline. He’s a multi-faceted man, distraught over the mistakes of his past and steadfast in his desire never to let his mistakes repeat. John Makovich’s Mitch Leary proves an excellent adversary. There’s a method and reasoning to his madness that sets him apart from a one-dimensional wacko. He’s confident and collected, and his decisions are made with precision and accuracy. Watching the two play off each other is masterful to say the least.

In the Line of Fire is an excellent, fast-paced thriller that is not to be missed. It will keep you on the edge of your seat all the way to the mind-blowing climax. In the Line of Fire is now available on VUDU for under $5. For this, and other great modern-day classics, select “Movies on Sale” and then “Steals for Under $5.”


Clint Eastwood has won Best Picture and Best Director Oscars for Unforgiven and Million Dollary Baby. He was nominated for Best Lead Actor in both films, but did not win for either. Unforgiven and Million Dollary Baby are also available for under $5.

Announcing 2-Day Rentals from Universal Studios

VUDU is pleased to announce 2-Day rentals are now available for select Universal Studios titles in SD, HD, and HDX! Take an extra day to watch and re-watch these great films:


Keep coming back—more 2-Day rentals are on their way!

Herzog’s and Lynch’s “Son”

My Son, My Son, What Have Ye Done
Starring: Michael Shannon, Willem Dafoe, Chloe Sevigny, Udo Kier, Brad Dourif
Director: Werner Herzog
First Look Pictures
Rated R for some language

The pedigree of director-producers Werner Herzog and David Lynch is enough to make any fan of cult film salivate. In My Son, My Son, What Have Ye Done, the two auteurs have joined forces for the first time in their careers to create a film that is truly worthy of their affiliation. Lynch takes on the role of executive producer while Herzog directs from his own script the story of a man who has become obsessed with the play he is rehearsing which results in tragedy.

The man is Brad McCullum (Michael Shannon) who has just done something unspeakable—he’s killed his mother (Grace Zabriske). He retreats to his home where he holes himself up against the San Diego police department. Detectives Havenhurst (Willem Dafoe) and Vargas (Michael Peña) arrive on the scene attempting to piece together what happened. They meet Brad’s fiancée, Ingrid (Chloe Sevigny), and friend Lee, (Udo Kier) who provide insight into Brad’s state-of-mind. Through flashbacks, Ingrid and Lee paint a picture of Brad’s descent into depression and mental isolation. Brad became obsessed with his character in a Greek tragedy, a play in which his character also kills his mother. The detectives probe deeper, searching for the reason for Brad’s actions, and hoping to bring the tense standoff to a peaceful resolution.

As any fan of Herzog and Lynch know, their films often take you to an unsettling and uncomfortable place. There’s an eeriness that lingers throughout their films. My Son, My Son, What Have Ye Done is no exception. Michael Shannon delivers the ultimate in creepy performances, toeing the line of complete insanity. The audience never knows when he’s going to reach his boiling point, as at once he can reach a high level of furor, and in an instant, he can be calm and mellow. There’s a passive-aggressiveness to Brad that disturbs you, and keeps you wondering where his madness will take him next.

The supporting cast is a sobering Yin to Brad’s raging Yang. Everyone stays calm and collected, even as Brad falls apart around them. They keep the story grounded and real. They provide the anchor that we as an audience need in order to know that their world and Brad’s world are not the same. All around, the entire cast gives amazing performances, keeping their actions subtle and nuanced.

Shot with the Red One camera, the digital nature of the cinematography plays wonderfully with light. It is simultaneously rich and vibrant with color, and at the same time dark and murky. The color and lighting of the camera work add intensity to the mindset of Brad. The mixture of saturated hues and tones plays into the dual side of Brad’s psyche.

The collaboration between Herzog and Lynch is an instant classic in the cult genre. Here’s hoping that this is just the beginning of a long and happy marriage between the two that produces more gems that take us into the psychological unknown. For My Son, My Son, What Have Ye Done and other memorable cult classics, go to “Explore Catalog” and select the collection “Cult Directors.”


Though My Son, My Son, What Have Ye Done is based on the true story of Mark Yavorsky, a San Diego grad student who killed his mother in a similar fashion, director Werner Herzog admits that about 70% of the film is fictionalized.

Jerry Goldsmith’s Musical “Edge”

The Edge
Starring: Anthony Hopkins, Alec Baldwin, Elle MacPherson, Harold Perrineau, Bart the Bear
Director: Lee Tamahori
20th Century Fox
Rated R for language and some adventure gore/violence

Jerry Goldsmith’s long and illustrious career as a film composer is highlighted by such notable titles as “Planet of the Apes”, “L.A. Confidential”, “Rudy”, several “Star Trek” films, and “The Omen”—for which he won his only Academy Award. One of his most memorable and (unfortunately) overlooked entries is The Edge, starring Anthony Hopkins and Alec Baldwin.

The film tells the story of Charles Morse (Anthony Hopkins), a know-it-all billionaire who retains an immeasurable amount of seemingly trivial facts. He’s married to a much younger fashion model, Mickey (Elle MacPherson), whom he suspects is having an affair with her photographer, Bob (Alec Baldwin). All are on a photo shoot in Alaska where Charles’ watchful eye catches the interactions between Mickey and Bob , essentially validating his concerns. When Charles, Bob, and Bob’s assistant, Stephen (Harold Perrineau) venture into the wilderness, their plane crashes. Stranded, facing hunger, hypothermia, and a blood-thirsty bear, the group struggles to survive in the hopes that rescue will soon come. Complicating matters are Charles’ increasing suspicion that Bob is using their situation as a means to kill Charles in order to have Mickey all to himself.

Everything about this movie clicks. Anthony Hopkins and Alec Baldwin play off each other so well that you would think they really were adversaries. Their interactions mirror their plight—at first they are cordial and civilized with somewhat scornful undertones. As their trials of being lost in the wilderness prolong, their primal natures take over, and the scornful undertones give way to unabashed contempt.

The screenplay by David Mamet has a great flow and ferocity to it. Also a noted playwright, Mamet’s signature style of dialogue is in full force here, bringing with it the snap and intensity that is felt throughout the movie. It sounds and feels natural, bringing great depth and passion to the extreme situations in which these characters find themselves.

It is Jerry Goldsmith’s musical score, though, that stands out as the true star of this film. The prominent use of brass, strings, and percussion echo the sense of adventure and horror the characters experience in the wilderness. The score brings with it a notion of hope, while at the same time portraying the despair that is running through the character’s minds. It is nothing short of brilliant, and the main theme will be playing in your head long after the movie is over.

The Edge was an overlooked film when it premiered in 1997, but it is starting to gain a steady following. The Edge is available on VUDU in SD, HD, and HDX! For this, and other great movies with memorable music, go to “Explore Catalog” and select the collection “Great Soundtracks.”


Alec Baldwin grew a thick beard for his character that he refused to shave. He was embroiled in a tug-of-war with the producers over this. Baldwin eventually gave into the producers and shaved—one day before filming began! This incident was dramatized in the 2008 film “What Just Happened”. The film was based on novel written by Art Linson, also the producer of The Edge.